You can also output ProRes Raw or Blackmagic Raw video to an external monitor, making the FP L impressively for such a small camera. This means it's a highly compact setup that offers lots of flexibility for those who like to color grade their footage afterward. While the Sigma FP L is a more well-rounded camera for hybrid shooters, thanks to those resolution and autofocus boosts, it is still primarily a video-oriented camera, thanks to that ability to shoot raw video (in Cinema DNG format) internally. The reason why the FP L is so small is that it doesn't have a built-in viewfinder, hot shoe, grip, in-body image stabilization or even a mechanical shutter, instead relying on its electronic shutter. ![]() MENU > SHOOT () > Director’s Viewfinder (CINE) > Brand: ARRI > Model: ALEXA LF / ALEXA Mini LF > Settings: Open Gate > select de-squeeze factor.So who exactly is the Sigma FP L aimed at? If you like your cameras to be fully-featured out of the box, then it's probably not for you. Open Gate Anamorphic De-squeeze Viewing (1.25x, 1.3x, 1.5x, 1.65x, 1.8x, 2x) for ARRI ALEXA LF / ALEXA Mini LF is now available in Director’s Finder mode. The camera is now compatible with a 4TB external SSD. The camera can now be switched off even during l ong exposures. Among other things, Still-like shows shutter speed as a fraction, even if you are in CINE mode CINE style displays shutter angle, timecode, etc. To set CINE mode to STILL-like: MENU > SYSTEM () > STILL / CINE Link Settings > Shooting Style > STILL-like. This is only available in STILL mode or when CINE mode is set to STILL-like. MENU > SYSTEM () > |☐| (Display) Mode Settings. It creates a mellow atmosphere with subdued tones and warm colors.įOCUS FRAME ONLY has been added to the information display menu in the (Display) mode setting. It is like a spotmeter in your viewfinder or monitor, calibrated in accurate T-stops. It displays the exposure status of any part of the frame in a color-coded manner, covering up to 6 stops of under-exposure, 18% gray, and up to 6 stops of over-exposure. ![]() SIGMA fp L camera firmware update Version 3.00 and SIGMA fp camera firmware update Version 5.00 provide major additions:Īs discussed on the previous page, EL ZONE has been added to the False Color menu and function. The values and accuracy are consistent:ĬinemaDNG UHD 8-bit (internal recording, 12-bit external) I’m happy that SIGMA fp L and fp are the first mirrorless cameras to incorporate EL Zone.” EL Zone works with CINE RAW (CinemaDNG) or H.264 MOV or STILLS (DNG) or JPEG. They are based on IRE values that originally measured analog composite video signals as percentages of voltage, aren’t consistent with T-stop values on lenses or light meters, and are not the same from one manufacturer to another. ![]() It displays the exposure status of any part of the frame in a color-coded manner, allowing you to evaluate highlights, shadows, see where details may be lost and where to set your lens aperture.”ĮL Zone developer Ed Lachman, ASC said, “I found false color and waveform monitors much too general. Takuma Wakamatsu, SIGMA Product Manager, said, “EL ZONE is based on an evaluation of the actual recorded signal. Gordon Willis, ASC, would not have exposed Marlon Brando’s Godfather under-exposed face at default Kodak 18% gray. Of course, EL Zone lets you put the exposure where you want it. ![]() The menu framegrab (above) shows how easy it is to see exposure values in actual, logical T-stops with EL Zone, compared to traditional “False Color” IRE values (below). MENU > SHOOT () > False Color > Style > EL ZONE. To activate EL Zone for the SIGMA fp L and fp, select: With new firmware updates, your SIGMA fp L (61 MP) or SIGMA fp (24.6 MP) camera is now a spotmeter and exposure tool, in addition to being a versatile DP/Director’s Finder, smallest Full Frame cine camera and mirrorless still camera. SIGMA fp L and fp are the first mirrorless cameras to incorporate EL Zone.
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